With a hero, plots and a series mantra that's all about unstable, unpredictable change, it's remarkable that Doctor Who has always been quite so consistent when it comes to punching above its weight.
So it's somewhat fitting that as we edge ever closer to the show's legendary 50th anniversary, showrunner Steven Moffat has issued the writing staff a mission statement to "slut it up with big, huge, mad ideas", and to "write each episode like a movie poster".
While we may have the return of the Weeping Angels, the 'there's-no-way-this-can't-be-amazing' "Dinosaurs on a Spaceship", a Whovian-goes-Western approach to Cowboys vs Aliens, and the ever-impending departure of the Ponds all all awaiting us before Christmas, Moffat himself came up with the idea big, bold and suitably crazy enough to kickstart Series 7 (or 33, depending on your nerdiness) with a bang.
still full of vibrancy, surprises and stuffed full of nods towards the Time Lord's future
For an episode focusing on the Doctor's oldest enemy, The Asylum of the Daleks was still full of vibrancy, surprises and stuffed full of nods towards the Time Lord's future. But more on those - or more particularly, her - later.
This season's movie-esque MO lends itself to compressed storytelling, and so it didn't take long before Rory, Amy and The Doctor found themselves individually Dalek-napped, and transported to a parliament almost as terrifying as our own - an amphitheatre chock full of every incarnation of the Dalek the Doctor's ever seen.
The key twist this time? While exterminating was still on the cards, they needed the Doctor and his companions to do them a little favour first - hop down to The Asylum (an intergalactic prison housing their craziest and deadliest), and save their alien bacon.
In modern Who-terms, The Asylum of the Daleks was a triumph. Witty, crazy and with a heartfelt emotional streak throughout, it catered first and foremost to the characters we've come to love. Matt Smith flip-flopped between ice-cool menace (as 'The Predator') and chirpy, charming freneticism (as 'Chinboy') with now expectant ease, but with just five episodes left, Moffat cast the main emotional spotlight on Rory and Amy.
While the initial melodrama-bombshell of their impending divorce was a surprise enough, the revelation of its cause (damn you Demon's Run and your fertility discombobulating ways), and their inevitable reconciliation was pulled off with sincere, and genuinely moving aplomb by Karen Gillan and Arthur Darvill.
The biggest surprise of all though? It wasn't the divorce, the brief adventures of Indiana Rory, the episode's The Thing-esque transforming sleeper Daleks, or the particularly 'scrambled' spin on the Dalek's catchphrase (we predict a few fanboys/girls ordering tomorrow's breakfast in a whole new way).
Doctor Who may be a show edging ever-closer to its TV Quinquagenary, but it's still one of the smartest, funniest and freshest sci-fis around.
Nope - in a world full of spoilers, plot-leaks and internet reveals, Moffat and co magnificently kept the arrival of the Doctor's new companion completely under wraps. Jenna-Louise Coleman's Oswin/Souffle Girl debuted with an electrifying bang - smart, sassy, somewhat of a genius, and mildly bi-curious, she nearly stole the show. Not only that, she had a pathos-driven, super-twist of an end to an origin story that leaves us guessing not only when but how she'll reappear. Oh, and as what. While the thought of a 'Doctor/dead Dalek spirit guide' odd couple dynamic fills us with nerdy glee, even Moffat's not that crazy.
We think.
In fact, the only downside to the episode was that - with so much of the above going on - the much-mooted 'every Dalek ever' smorgasbord was underwhelming in its brevity, and while they certainly seemed the scariest they've been in years, it felt less a tale about the Daleks than an adventure that just happened to have them in it. That said, we're intrigued to see where their mindwipe reboot leaves their relationship with the Doctor going forward.
Doctor Who may be a show edging ever-closer to its TV Quinquagenary, but it's still one of the smartest, funniest and freshest sci-fis around.
Case in point? Bring on the Space Dinosaurs.
Matt Risley is IGN's resident Doctor Who expert. Follow him on Twitter.
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